iPhone 18 Pro Dark Cherry Takes the Place of Cosmic Orange in Four-Color Range

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Apple’s Color Evolution: Cosmic Orange Exits for Dark Cherry

In a surprising shift, Apple has opted to retire the eye-catching Cosmic Orange hue that characterized the iPhone 17 Pro, introducing the sophisticated Dark Cherry instead.

This deep, burgundy-tinged red embodies a transition towards more muted, conservative shades for the forthcoming iPhone 18 Pro and Pro Max, which are set to launch in September.

The confirmed color palette for the standard Pro models now includes Dark Cherry, Light Blue, Dark Gray, and Silver.

As per Pantone specifications sourced by Macworld, Dark Cherry holds the code Pantone 6076, showcasing a wine-like crimson enhanced with subtle purple undertones.

Light Blue (Pantone 2121) closely resembles the current iPhone 17’s Mist Blue, while Silver (Pantone 427C) retains the steel finish introduced in last year’s Pro lineup.

Dark Gray provides a practical alternative to the previously available black option, rounding out the selection.

Analyzing the Shift to Dark Cherry

The introduction of Dark Cherry signifies a calculated move away from the vibrant saturation that Cosmic Orange brought to the iPhone 17 Pro.

This pivot aligns with contemporary fashion trends favoring deeper, more wearable jewel tones. In August, Weibo leaker Fixed Focus Digital clarified the exact hue, affirming that what has been circulated online as a lighter variant is indeed the genuine Dark Cherry.

Descriptions of the shade vary: Instant Digital depicts it as a blend of burgundy, coffee, and deep purple, while others simply term it a deep wine color.

In May, leaker Sonny Dickson released images of physical dummy units showcasing all four colors accurately, suggesting that “Cherry might become the next favorite; orange received widespread acclaim.”

However, these models, crafted from plastic or substandard metals rather than the premium aluminum and glass seen in finished products, may not do justice to how Dark Cherry will appear in final versions.

Notably, Cosmic Orange presented a richer appearance when transitioning from digital renders to the finished iPhone 17 Pro, implying that Dark Cherry may ultimately appear more luxurious and appealing than early previews might indicate.

No Black—Yet Again

For the second consecutive year, Apple has chosen to omit black from the Pro color options. Reports from 2025 suggested that black or steel gray were once considered for the iPhone 17 Pro but were ultimately discarded.

The decision to forgo black in favor of Dark Gray indicates a conscious shift away from traditional neutrals, favoring colors with a more distinct visual identity.

However, it is worth noting that the four color options remain tentative, with Macworld’s insiders citing that they were still under development as mass production had yet to commence.

Conservative Choices for the iPhone Ultra

A foldable smartphone is displayed partially open on a metal tray beside a closed phone, both featuring metallic finishes and app icons on the screens.

The foldable iPhone Ultra, priced at over $2,000, is following a markedly different color strategy. Leaked accessory designs revealed in August indicate only two finishes: either silver or white, and a dark blue that approaches black.

Apple is intentionally steering clear of bold, niche colors for its most expensive device, favoring shades that appeal to a broader audience—a palette aptly suited for a device in the $2,000+ category.

Anticipation builds as the iPhone 18 Pro and Pro Max are expected to be unveiled in the week of September, with pre-orders anticipated to commence shortly thereafter, leading to a launch on September 18.

Source link: Ithinkdiff.com.

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Reported By

Neil Hemmings

I'm Neil Hemmings from Anaheim, CA, with an Associate of Science in Computer Science from Diablo Valley College. As Senior Tech Associate and Content Manager at RS Web Solutions, I write about AI, gadgets, cybersecurity, and apps – sharing hands-on reviews, tutorials, and practical tech insights.
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